paẏcama | पय़्चम | paYcama
paẏcama/ | पय़्चम/ | mf(I)n. the fifth, VS.; AV. &c. &c. (cf. Pāṇ. v, 2, 49)
forming the 5th part (with or sc. aṃṣa | अंष | = 1/5), TBr.; Mn. &c.
= rucira | रुचिर | or dakśa | दक्श |, L.
paẏcama/ | पय़्चम/ | m. (in music) the 5th (later 7th) note of the gamut (supposed to be produced by the air drawn from 5 parts of the body), MBh.; Sāh.
= -rāga | -राग |, Gīt.
the 21st Kalpa (called after the musical note), VāyuP.
the 5th consonant of a Varga (i.e. the nasal), VPrāt.; Pāṇ., Sch.
N. of a Muni, Cat.
paẏcama/ | पय़्चम/ | n. the fifth part, 1/5 (cf. above and Pāṇ. v, 3, 49)
copulation (as the 5th of the Tattvas of the Tāntrikas; cf. paẏca-tattva | पय़्च-तत्त्व |)
forming the 5th part (with or sc. aṃṣa | अंष | = 1/5), TBr.; Mn. &c.
= rucira | रुचिर | or dakśa | दक्श |, L.
paẏcama/ | पय़्चम/ | m. (in music) the 5th (later 7th) note of the gamut (supposed to be produced by the air drawn from 5 parts of the body), MBh.; Sāh.
= -rāga | -राग |, Gīt.
the 21st Kalpa (called after the musical note), VāyuP.
the 5th consonant of a Varga (i.e. the nasal), VPrāt.; Pāṇ., Sch.
N. of a Muni, Cat.
paẏcama/ | पय़्चम/ | n. the fifth part, 1/5 (cf. above and Pāṇ. v, 3, 49)
copulation (as the 5th of the Tattvas of the Tāntrikas; cf. paẏca-tattva | पय़्च-तत्त्व |)